Ist Mar.1995 - 15th Apr. 1995
An Expressive Art
Rabari embroidery not only tells us much about their culture but is also like a language
in which the women use to express themselves.
|The exhibition of Rabari Embroidery which was
organised by the Indira Gandhi National Centre for the Arts is an outcome of research and
documentation to record the creativity of women belonging to the Rabari community in their
daily life and lifestyle. A unique exhibition of its kind, the exquisite embroidery is a
feast for one's eyes.
The Rabaris are a wandering community known for their extraordinary capacity for survival and adaptation in the arid regions of Gujarat and Rajasthan. They are recognised for their distinctive arts, especially embroidery, beadwork and mirrored mud sculpture.
|Rabari women make mud sculpture themselves.
They also traditionally spin the wool from their sheep and give it to local weavers to
make the woollen skirts, veils, blankets and turbans Rabaris use. But, the Rabari women
are most renowned for their handwork which was displayed in this exhibition.
Rabaris embroider a wide range of garments, bags, household decorations and animal trappings. The objects that they embroider highlight important events, rites and values in their lives. Girls traditionally embroider blouses, skirts, veils, wall hangings, pillows, purses and Kothalo which are dowry sacks, as their contribution for their dowries.
|Married women embroider children's clothing
and cradle cloth as well. These embroideries not only reflect the primacy of children, the
mirrors which are embellished also protect their children from evil spirits that inhabit
their world. Some embroideries emphasise particular customs. Elaborately embroidered kothaliya
-- purses in which the groom carries ceremonial gifts of pan and supari,
symbolise the importance of exchange in maintaining familial ties. Embroidery on ludi
veils underscores the importance of laj the conventional modesty that Rabaris
Mature Rabari women dress in black signifying ritual mourning. By legend they are honouring a king who centuries ago died protecting Rabaris. Younger women during mourning wear coloured blouses which are subtly embroidered at the sides indicating that the woman is mourning. A cross like pattern in blouses is essential for women who are not widowed. Their skirts are beautifully embroidered with colourful thread and scraps of silvered glass.
|Other embroideries on display preserve the
Rabari memory of their origins as desert dwelling camel herders. Rabaris embroider camel
trappings to honour the camels they still keep for ceremonial use. Rabari grooms wear
elaborately embroidered long adan jackets and chorani pants, and brides wear ghagharo
skirts. These garments evoke the dress of royalty centuries ago, reinforcing the legend
that Rabaris once enjoyed close association with Rajput rulers.
The way in which Rabaris embroider also tells us much about Rabari culture. Rabari embroidery is like a language with which women express themselves. The composition created by the women comprise specific motifs each of which has a name and meaning. Many of these symbols represent elements intrinsic to Rabari everyday life and throws light upon how the community sees their world. Others have historical meaning and help to perpetuate the Rabari knowledge of their heritage.
|Over time, symbols may go out of fashion, or
may be adapted to current fashion. In some cases, a traditional symbol is given a
contemporary meaning so that current work reflects today's life. The style with which
Rabaris embroider, the combination of stitches, colour, motif and pattern is then the
medium with which women express themselves.
As with language, the elements of this medium are manipulated according to rules. The style is thus understood as an entity and used by all members of the community in the same way. Rabari style reflects an aesthetic sense also expressed in the mud relief, jewellery and even tatoos of Rabari women.
|Rabari embroidery is distinct among other
styles practised by Rabari neighbours. This style is by no means static. Stitches change,
scales increase and decrease and colours become bolder and brighter. This embroidery is
continually revitalised by the spontaneous innovation of Rabari artisans. Its the
creativity of Rabari women, a manifestation of their extraordinary capacity for adaptation
that keeps this traditional vital.
Copyright IGNCAŠ 1999