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PRINCIPLES OF COMPOSITION
IN HINDU SCULPTURE
CAVE TEMPLE PERIOD
ALICE BONER
1990, xvii+274 pp. line
drawings, b&w plates, gloss. index, ISBN: 81-208-0705-7: Rs 450 (HB)

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The present work represents an approach to a hitherto
unexplored aspect of Hindu sculpture. It deals with pre-medieval sculpture and leaving
aside the historical, doctrinal and aesthetic aspects of this art, it concentrates
exclusively on the question of composition.
The principles of composition which are here discussed and
defined, have resulted from a careful analysis, carried on for a number of years, of the
great sculptures of the the Rock-Temples at Elura, Badami, Mahabalipuram and others, that
is to say of sculptures of the pre-medieval period of the Rastrakuta, Calukya and Pallava
Schools.
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| The work contains
a demonstration of the principles described above, in form of detailed
analysis of 21 sculptures; each analysis is accomplished by a photograph
of the sculpture with a short description of the subject matter, and
by two line diagrams -- one presenting the Space division of Measure,
and the other the Time division or Movement. Each of these divisions
is described separately and then brought into a synthesis, on the
basis of which the deeper content of the image can be explored. |
| ALICE BONER (1889-1981) was a sculptor
and painter who settled in Varanasi, in 1936 and became one of the outstanding scholars
and interpreters of Indian Sculpture and temple architecture. For her unique contribution
to the understanding of Indian art, she was awarded 'Padmabhushan' by the President of
India in 1974, and an Hon.Doctorate by the University of Zurich. After this, her first
book, she also published Silpa Prakas (Medieval Orissan Sanskrit text on Temple
Architecture, Leiden 1966), New Light on the Sun Temple of Konarka (Varanasi 1972) and
Vastusutra Upanisad (Delhi 1982). |
Copublishers : Motilal
Banarsidass Publisher Pvt. Ltd. New Delhi - 110 007 |
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