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| CULTURAL ARCHIVES |
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MILADA GANGULE COLLECTION [OBJECTS FROM NAGALAND]
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IGNCA, as part of the programme on lifestyle
studies, was keen on acquiring the collection. It bought a bulk of the
collections for a fair amount in 1994 and 1996. The collection
includes Naga artifacts, photographs, transparencies, textiles, various
aspects of Naga dress like head gear, arm band etc. and their traditional
weapons. The different tribes that are covred in the collection are 1.
Angami, 2. Ao, 3. Chakesang, 4.Chang, 5. Lower Konyank, 6. Upper Konyank, 7.
Puchuri, 8. Western Rengma, 9. Central Sangtam, 10, Lotha, 11.Sema, 12. Phom,
13. Mao, 14. Maran, 15. Khiemnungax, 16. Yimchunnger, 17. Rongmei and 18.
Tangkhul.
The Milada Ganguli collection acquired by IGNCA is extradinary and comprehensive. It depicts the various aspects of Naga lifestyle such as their dwelling, men and women at work, dresses, ornaments and jewellery, various tools, their ritual attire and objects. The rare objects include Khiemungan, a Naga crossbow. This is a personal belonging and not easily parted with. There are the carved wooden mugs, decorated wooden combs (usually given as gifts to girls), cane head gear, decorated belts with cowries, the hand woven shawls and other dress parts. Among the Nagas the weaving indicates the status and stature of the person. The several household utensils in traditional Naga kitchen also form part of the collection. Of equal importance are the photographs taken by Mrs. Milada Ganguli. The photgraphs depict the Naga lifestyle, highlighting various aspects of their rich socio-cultural traditions. There is a photograph of a Naga with 135 enemy skulls, men and women in their ceremonial costumes, and typical Naga scenes to pick only a few at random. There is a shot of the 'magic stone.' It has a story behind it. According to the local myth, two brothers worked in the field and they put their yield on the spot where the stone stands and the yield used to double. Once the brothers got fighting and their mother burnt the place so as to finish its magical power. The stone still stands. The entire collection is an important document that narrates and recreates a cultural heritage that is fast disappearing.
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